They said we’d be artistically free…
Good evening and welcome back to a very wet and dust/sandstorm ravaged Clash Blog. We had what you might call a bit of weather this evening and if you’ve never been caught in a Haboob here’s some video footage that was taken nearby earlier. You can read my account if it here. They look rather more exciting than they are, a bit like Rancid.
An addendum must be inserted earlier and my apologies for the gaps between updates, I’ve had ‘one of those weeks’ bedding in new work tasks and generally keeping wolves from doors and putting out fires and every other time-worn saying that applies. More to the point I’m back now and shocked to see I started to write on Wednesday and it’s now Friday. I bet you were all to busy with the stooopid stories about Casey Anthony and The News of The World to check in anyway right?
A few days ago you might recall the post that included that rather remarkable YouTube upload of London Calling stripped down to the key component of drums, bass, Mick’s lead guitar and most powerfully Joe’s lead vocals. It definitely gave us all an opportunity to hear the song in a previously impossible manner unless we were sitting in Wessex Studios in 1979, while it wasn’t the most impressive ‘find’ of Clash historic debris ever it was definitely one of the enjoyable. Therefore I’m slightly sullen to learn that the source was that bloody video game rock band/guitar/rock/keyboard hero/legend or whatever it’s called. I’ve ranted before about those games and my sentiment that if your child has a genuine love for music go and purchase them an acoustic guitar or a pawn shop drum kit, not a video game. Still, it seems that the game allows one to strip out the individual audio files from a song song for drums, bass, guitar and vocals thus allowing us to hear what were (despite the source) really effective single elements of one of the greatest songs ever written, not just by The Clash but ever written. This information is a bit of a shock to me but makes sense, if you know otherwise please let me know.
Regardless of that being correct we can again thank Flip2K for what’s below. Joe’s isolated vocals from ‘Complete Control’.
Complete Control, Joe’s vocals only
While I don’t think it has the same haunting effect as hearing London Calling it’s still something else. First you’ll notice his vocals are double tracked through most of the song and the dub effect is really rich. Best of all those last 45 seconds are so full of fire and venom it makes the skin shiver, or at least it did for me. Joe Strummer’s passion is palpable which of course is the case with the original recording also but again stripping it to just vocals reveals much you won’t have heard before. I honestly had never noticed (considered?) in the thousands of times I’ve heard that brilliant song that the vocals were double tracked perhaps because the song is so guitar laden, or maybe because I don’t put on full trainspotter clobber when I listen to The Clash. Regardless, I’d suggest you bookmark Flip2K’s YouTube page to see what else he uploads or maybe we should send him requests?
I’ll be back tonight I hope and thanks for sticking with the blog in the meantime. A happy weekend is coming right? Tim





