Well it’s been quite a day (Friday evening as I write this) and I’m sure those who saw the concert at The Scala in London last night are still pinching themselves over what they saw and heard. Indeed more than a dozen Clash songs were played and sung live by a variety of vocalists with Paul Simonon joining the Mick Jones/Pete Wylie led crew for the last few numbers. Unreal of course, overdue perhaps but momentous most certainly. I’ve started writing a bit more about the tour in general and Hillsborough specifically and found my thoughts running into overdrive so I’ll break that up over three posts most likely starting tomorrow. We’ve got hundreds of amazing photographs from Pete in London to work through in addition to a stack of videos to share but I’ll ask for your patience as we get those compiled because as they say the show must go on and tonight it made it’s way all the way up to Liverpool for another night that exceeded expectations. Martin, our intrepid reporter from last night in London managed to make the journey up to Liverpool today and see the gig. He’s also up there to see his beloved QPR take on Liverpool (come on you hoops) tomorrow afternoon. Like a dedicated war correspondent he managed to file a report from the front line in Liverpool which featured another round of guests including one of my favourite people ever Billy Bragg. Let’s hand it over to Martin then….but first a quick photo:

Like old times.... (image the kind courtesy of Peter Stevens)

Justice Tonight – Liverpool University – 9 Dec 2011

The home town Friday night gig for the bulk of the artistes on the Justice Tonight tour and the special guests were out in force again. This time it was Cast who opened the evening’s proceedings at 8.25 with a 4 song set that included ‘Timebomb’ and their new single ‘See that girl’.

At 9.10 Liverpool comedian John Bishop took the stage and he treated everyone to the first of two Monkees songs that we were to hear tonight – this time it was “Daydream Believer”. John would be the first to admit that he is no singer but he IS very funny and he then introduced the next group of hometown boys – The Farm. I thought they were stronger and more confident tonight with the same set as they performed in London – Groovy Train, Steppin’ Stone, Love See no Colour and All Together Now, for which they were joined onstage by Mick Jones and Pete Wylie. The band then went straight into the set of Wylie’s songs starting with Come Back, You better scream, The Day that Margaret Thatcher Dies (complete with a crowd chant at the end of ‘Maggie, Maggie, Maggie! Die! Die! Die!), The Story of the Blues, Heart as Big as Liverpool, Johnny Thunders’ You can’t put your arms around a memory and then closing with Sinful.

 And then at 10.20pm it was into the Clash songs, commencing again with Train in vain. The beam on Mick Jones’ face as he performs these songs is incredible – he’s clearly loving every single second! Stay Free was next, sung by Pete Wylie and then John Power joined for what was my highlight of the night – a tremendous version of Bankrobber.

 We were then treated to Clampdown with Wylie singing, White Man (in Hammersmith Palais) with Peter Hooton doing the honours on vocals.The band then took a short break to catch their breath with Mick saying “We’re 2 goals up at half time” as he left the stage.

Mick Jones and Billy Bragg, two of the most important people in my life. (image kind courtesy Martin P)

 The next special guest was the ‘One Man Clash’ himself – Hammers fan Billy Bragg to sing (very appropriately) Scousers never buy The Sun, dedicated to the late great John Peel. The band then returned to the stage with Pete Wylie grinning from ear to ear saying “I just met Jimmy Case!”. Billy Bragg sang Jail Guitar Doors and then we were treated to a great version of Armagideon Time. A young guy whose name I think was Jay from a new local band called the Ladykillers then came on stage to play guitar on Should I say or should I go. The set finished with London Calling and the evening closed out with a finale of All Together Now and thanks were made to the 3 backing singers, who included Pete Wylie’s daughter Mersey..

 All in all yet another tremendous night on what’s becoming the tour of the year, but it will be very tough to top the London gig!

Brilliant stuff Martin. Thank you so much for taking the time to share that with us, can I talk you into flying up to Glasgow after the final whistle at Anfield? Please join me in thanking him for more great coverage of the tour. The first photo tonight I just had to borrow from Pete was of course from 24 hours prior but needs to be shown! The second was taken by Martin in Liverpool. Too much to cover, please be patient with me.

I really need to say that without you – without Martin and Pete these last few nights and Charlotte in Cardiff, Barry in Manchester – the blog would just be my views from far across the ocean. It’s your efforts and participation that make us feel like we’re at the concerts and sharing in what’s been an amazing week. So please let me thank you again. It’s the best community around a band ever, I think we know that. Clash City Rockers keep on keeping on.

All the best, Tim.

Good evening, how was your weekend? Bloody hectic one here but that’s alright it’s going to happen from time to time. On the plus side it’s been really cold and rainy most of the weekend which sounds a bit glum but when you live in a desert it makes a lovely change. The clouds were so low that the mountains to the NE vanished for two days and finally left today to reveal snow, if I liked snow I’d be more encouraged. With that said the best laid plans of getting the blog updated a few extra times this weekend fell to the wayside but I’ll surely get back on track tomorrow. There’s a lot to cover from the Justice Tonight tour but that needs to wait as The Clash time machine has thrown up something really brilliant this weekend.

On Friday I was made aware by a few people of some live footage of The Clash that was filmed in high quality but as it was super 8/cine film there was no sound. A number of people around the net and on If Music Could Talk started trying to work out which concert film was from. Luckily the uploader on Vimeo also added another file called ‘Manhattan 1979′ (linked) which I watched with some faint hope it would lend some clues. Initially it showed the World Trade Centre and various street scenes around New York and then some bounty – an early evening shot of the marquee at the New York Palladium advertising The Clash, Sam & Dave and The Undertones – Sep 20 & 21 and towards the end of the footage live action of Sam and Dave. Clash historians will know the second of those dates led to the famous incident between Paul Simonon and his bass that was captured by Pennie Smith and became the cover of London Calling. What wasn’t certain was whether the film on the other upload featured live footage from September 20th or 21st.

It was at this point where the community that surrounds The Clash went into overdrive and also impresses the hell out of me. Everyone wanted to know which songs were being performed and match the audio to the performance. After going through existing recordings and matching up what was happening on stage in terms of lead vocals, backing vocals and other indicators there were enough clues to match it up perfectly. I’d like to thank Dom who I’ve been in contact with, for painstakingly adding the audio to the super 8 film with all the cuts and edits included – I thank you.

What’s remarkable about Super 8 film is that although the technology is older than many of us, the quality of the film far surpasses much of what you see compiled these days via mobile phones or even the less expensive digital cameras with video capability. I’ve watched the tape below a number of times and although it’s often blurry and edited badly you certainly feel the energy of The Clash on stage and the chemistry of the band which was perhaps at it’s very peak in the late months of 1979. Thrilling to see and priceless in it’s rarity what we have is a new document that in addition to being 32 years old also captures the band on a night where Paul Simonon was going to create an unrehearsed image that has become as famous as the the album cover it graced, perhaps even more so. While there are no complete songs on the tape we have pieces of I’m So Bored With the U.S.A., I Fought the Law, Jail Guitar Doors, and English Civil War. Enjoy it – it’s brilliant. I’ll be back soon with lots more. Tim

(Full credit from the YouTube upload) – The Clash – 1979-09-21, at the New York City Palladium performing the songs I’m So Bored With the U.S.A., I Fought the Law, Jail Guitar Doors, and English Civil War. It is only short clips of the songs but great nonetheless. This concert was the same night Paul Simonon smashed his favorite bass guitar thus creating one of the greatest moments in rock and roll history ever captured, seen on the album cover of London Calling, and taken by photographer Pennie Smith. More info about this special gig, including the full setlist, can be found here: http://homepage.mac.com/blackmarketclash/Bands/Clash/reco…
The original source of this video was a silent Super 8 film camera. I layered the audio over it and synced it together.

Hello again on this most Mondayish of Mondays. So we are back into a new year and all that it entails….the biggest thing I notice with the change in the calendar is having to do quick maths in your head for example when thinking ‘I can’t believe Sandinista! came out thirty thirty-one years ago and they’ve yet to reissue it’ or ‘how funny that Spurs haven’t won the league for forty-nine fifty years’ otherwise its a year nearer something or other, though I’m excited nonetheless. It doesn’t seem so long ago we were all being told to panic about Y2K so it being ’11 now seems a bit odd to me at least.

I’d intended a long detailed post tonight taking on a piece of Clash history or a deeper look at a song but I’ll confess to being bloody tired and having lacked the time to put together the requisite research. That said I wanted to check in with an update,  a reference to a great interview today and a brief brief obituary. I’m still waiting for your nominations from yesterday as to which two bands I should see – I’m looking most likely toward it being Interpol and Little Dragon but change my mind for me! Apparently Social Distortion swear too much (or specifically Loch Ness if that is indeed his real name) – to which I feel that if it (swearing) makes up more than 10% of your stage chatter you really should just fuck off. Right then other brief matters and I’ll get a standard post together tomorrow I hope.

I mentioned the newly downloadable Gorillaz album and queried whether it features Mick or Paul in an obvious capacity as I’d (still) not had time to listen to the entire album and my thanks to the well informed and current Melissa who explains:

Answering your doubt yes, Mick & Paul were involved in some songs of The Fall (new Gorillaz release). The former played guitar on Hillbilly Man and some of his speaking… voice is heard on California & the Slipping of the Sun, while the latter played bass on Aspen Forest.

Thanks Mel and I’ll take time out for those as soon as I can. If you know more or indeed any differently please let me know. Bad form isn’t it, me having you the reader do  the research let’s say that I’m pushing the community Clash feel for the new year – more from you makes for a better blog. I also wanted to point you in the direction of an excellent, long and informative interview with Billy Bragg in today’s Guardian. Bragg talks about music, politics, protest and influences most notably of course The Clash. Billy as you know had a very busy 2010 including working with Strummerville acts and Jail Guitar Doors. He also feels (as do I) that we might be on the cusp of some serious and important changes in 2011 – you’ll need to read the interview in full but it draws some interesting lines between today and the early 80′s when Billy first gained attention.

Finally tonight sad news that the brilliantly talented actor Pete Postlethwaite has lost his recurring battle with cancer at the age of 64. I rarely get excited about actors regardless of what film they are in but I’d endorse you to see his work in any film he was involved in. Just a remarkable actor and a sad sad loss at a young age. I’ve not got any obvious connection between he and The Clash except for the fact that if you want an actor as versatile and talented as The Clash were throughout his career you don’t need look much further that Postelthwaite….a really dire beginning to the year. I’m not one to write obituaries but this in the Guardian is worthy – as is devoting some time to watching any of his numerous films.

I’ll be back tomorrow – take care. Tim

RIP Pete Postlethwaite