Well hello again, all things being equal it’s the end of your working (or studying week) or perhaps you are part of that fraternity of people who work weekends? I’ve been in that boat and the rest of the world just don’t relate to you if you have a week day off cos you have to work a Saturday or Sunday do they? Anyway if you are a weekend worker I hope you enjoyed your day off during the week. Not sure why I brought that up – mostly to welcome in the weekend before we see what’s come over the Clash newswires the last 36 hours.

Quite a lot of activity to be expected in the next week or so as Stummerville makes it way to Austin for the SXSW music festival and hopefully we’ll get to the bottom of a rumour that’s been circulating for the better part of two weeks about Simonon and Mick Jones becoming part of Gorillaz live band. Initially I heard that the two former members of The Clash would be appearing with Gorillaz at Coachella and then that they would actually become a semi-official part of Damon Albarn’s live band for gigs coming up in the UK. Now it seems the rumour is heating up as the NME are joining the speculation I’ve offered above. Two thoughts on this, first I think where there’s smoke you tend to find fire so I do expect it to happen at some level, secondly I don’t care if you fail to enjoy the music of Gorillaz (I realise some Clash fans are more than a bit turned off by it) the fact that Albarn respects his musical heritage enough to include Paul and Mick is good enough for me if that’s what it takes to see them play live on the same stage together. To extend that point, Blur made some of the most interesting music of the 90’s while I’d take all three Gorillaz albums and The Good, The Bad and The Queen as representing some of the more diverse things done during these last ten years. The heritage of a musician who takes chances and constantly evolves is entirely in keeping with the spirit of The Clash and for me has more merit than Simonon and Jones joining a band that attempt to be a modern day Clash circa 1978 (I won’t name names but there are more than a few of those kicking around with a US origin). Let’s see what happens and keep an open mind to new music – in as much as there were Clash fans who disowned the band after the release of London Calling you’ll find Blur fans who can’t find value in what Damon does now. I’m banking on it being made official next week.

This is great (thanks for the heads up Alan Miles) and make sure you make some time to listen. A podcast is up with an special feature about JGD. It kicks off with the reworked version of Jail Guitar Doors with vocals from Billy Bragg and a new verse from Mick Jones. It’s a pretty lengthy podcast which doesn’t

image courtesy Laura Levine

exclusively feature Jail Guitar Doors related material but there’s enough on there to keep you interested. The bulk however features an extensive interview with director Alan Miles (who put the film ‘Breaking Rocks’ together about the charity)  and tracks by some of the artists associated with the project. The link to the site is here and they give you a further outline there especially if you want to skip to your ‘Clash’ bits.

New York City and The Clash is a theme we’ve touched on more than once on the blog, accepted wisdom is that Manhattan gradually became the overseas headquarters of The Clash especially from 1979 onwards. As the British press started to reject the evolution of the band they spent more and more time in the US and Canada, New York becoming the hob for the band. It extended beyond the residency at Bonds and other famed concerts but they also were immersed and inspired by the scene in the city not to mention recording and mixing so much of their music in the town. I only meant to write a sentence there…sorry…I mention the pairing again as PopMatters posted a good article about New York and the band that’s worth a quick read.

I’ll have more over the weekend – Clash Cup and more. Thanks for visiting…..

Back again….I may have missed a day right? Sorry about that – will do some double duty this weekend. Having heard the entire version of Plastic Beach instead of just a snippet, would you know it was Mick Jones / Paul Simonon playing on the new Gorillaz track if someone wasn’t telling you it was so? I think you can pull out Mick’s style from the song (linked in previous post) but not so much Paul. I do think the album is really good however. You never know with Damon Albarn, I think if anyone has got the potential to get the three members of The Clash together for some recordings it might be him, though Mick’s existing commitments might scupper that idea.

Just to cover old ground but as it’s coming up soon don’t forget that Strummerville will be fully represented at this year’s SXSW music festival in Austin. There are sure to be a number of articles / interviews and hopefully a bit more to follow, all the pertinent details are on the Strummerville site. I had hoped to make it over to Austin at least for the weekend but airfares seem to have doubled while I sat on the fence (apparently due to Spring break and the airlines seeing a chance to make a killing) so I will be reporting as best I can from here. The idea of driving 15 hours each way doesn’t have the same Kerouac appeal as it once did – and having seen New Mexico and heard about West Texas I think I’d lose my mind. One huge feature for Clash fans at the festival will be the Strummerville film – details from the site reproduced beneath:

On Friday 19th March ‘Strummerville – a film by Don Letts’ will premier at the Paramount. The film, directed by the London born, Grammy award winning filmmaker and artist Don Letts, captures the very essence of Strummerville. The film journeys through the past six months of the diverse Strummerville calendar, including interviews with the bourgeoning talents and the friends and family of Joe who work hard to keep the charity going. The documentary also includes unseen footage of Joe Strummer taken from Don’s personal archive. On the film Don says, “In a cultural climate that feels like punk never happened Strummerville (the film) serves as a timely reminder of a way forward. It worked back then and it can work again – and man it needs to!”

On to related ground, I’ve neglected (purely on accident) to write much about Los Mondo Bongo. Many of you will know the band features Pablo Cook who helped start the Mescaleros with Joe Strummer. His new band are currently touring the UK and feature Pablo plus bassist Derek Forbes (Simple Minds), guitarist Steve Harris (Gary Numan) and vocalist Mike Peters (The Alarm). The band are certainly their own unique thing and not just a ‘tribute act’ as they’ve been tagged -  but Pablo doesn’t disassociate from his time with Strummer. They also tend to play a few Clash/Strummer songs live – and do them justice! I promise I’ll write more on them because I’ve been waylaid so far. The video below should give you a taste as should this article in the Derby Telegraph.

“As a writer, it seems a bit odd, saying I’m paying tribute to my own songs. I’m just playing my tunes to people who appreciate Joe Strummer and The Mescaleros. We do a few Clash songs as part of the evening – to celebrate Joe. And to keep the flame alive is great for me.”

I really want to do this…..Do you have a Clash or B.A.D. or Joe Strummer ticket stub?? Email me if you do and can forward a photo or a scan…I want to feature them on the site, I do love ticket stubs. Right then…I’ve got to dash but here’s a song I keep listening to this week (and the video is really well done) Vampire Weekend’s ‘Giving Up The Gun’.

Good evening to you all, thanks for making you way back to the blog (or welcome for the first time if that’s the case). Not a lot of excitement midweek but no complaints either. What I do have is a sprinkle of Clash related stuff for your reading/viewing and listening pleasure.

Let’s start with the visual! If you are in or near Toronto (based on the traffic to the site that’s actually a good number of you) there is a great exhibition of photography of bands that visited the city in years gone by. Including shots of the first appearance by The Clash in Toronto (Rex Danforth Theatre Feb 20, 1979) the exhibition is titled ‘Toronto Calling’ and begins today and runs until April 1. Admission is free, included are  The Clash, The Ramones, Johnny Rotten, U2, The Specials, and many more. All images were taken in Toronto which gives is not only a local feel but also will make it a unique collection. If you can make it along I’d love to know what you think of it. Excellent additional information on the Torontoist site and the Steam Whistle site. If you can’t make it to the exhibition it’s still worth visiting the first site I mentioned for a brilliant photo of Strummer on stage.  This all takes place at Steam Whistle Gallery at the Roundhouse (255 Bremner Boulevard in the middle of the city). More on the photographer here.

Audio next right? Yes yes yes…you can hear the entire Gorillaz album online for free via The Guardian. If you’ve been paying attention you know exactly why, if you don’t either ask someone about The Clash connection or read some earlier posts from the last couple of weeks. Having been a Blur fan since the first album and then followed Damon Albarn ever since I’m not the person to ask if the new Gorillaz disc sounds good. Of course it does…

I better offer you something to read too as I’m a bit knackered and won’t be stretching this out to one of those endless posts where you wonder when I’m going to end. This is really worth a read – if you’re in the UK you are already aware that in keeping with the rest of the planet the BBC is struggling (not to make money as it’s not American TV/Radio) to justify it’s current operations. Essentially it looks as if up to 25% of the BBC’s staff, programming, empire need to be removed – on the chopping block is BBC 6 Music. This would be tragic in the extreme, 6 music is perhaps the most diverse, informative, fun, rewarding and consistently innovative places online or offline to find music. I could write an essay about what I think of the station – but it’s better if I refer you to this post. For new artists there is no better venue for them to be found by joe public than BBC 6 music - new artists are always at the heart of music in my opinion. This story on The Daily Growl does a great job in explaining where things stand at present. I’ll get up to speed in the days ahead – I hope the station (and the BBC Asian Network also!) will be spared from closure.

G-night