Posts Tagged '1976'

Don Letts to celebrate Joe Strummer’s life Sunday night on BBC 6 Music

Just in case you missed it, try and be near your radio or internet at Midnight Sunday evening in the UK (7pm USA EST / 5pm USA PST….other places/times try this link!)

BBC Six Music (which is generally rather brilliant) will be broadcasting a special show hosted by Don Letts for an hour on Sunday night.strummer and topper The show will feature the always enjoyable insight of Letts plus music revolving around The Clash and Joe Strummer. Its always great to see the BBC working with Letts above and beyond his regular broadcast to honour the memory of Joe, so I look forward to this broadcast a great deal. Don of course knew Joe from 1976/7 and was a long time fan/DJ/observer and visual chronicler of the band both during the days of The Clash but also his continued proximity to the members of the band. Expect great music and observations….can’t wait.

This link should work on the night – and typically these broadcasts get archived also. Just in case BBC Six Music link is here for you. While we’re talking about the BBC Six Music – check out this archived interview with Johnny Rotten and Sid Vicious from 1977 – I’m just about to give it a listen, it should be available until Tuesday. Marc Riley is brilliant….

Off topic…can’t these wankers grow up? Republicans are sending this country back to the 1600’s.

Tim

Share the only blog that matters :
  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • email
  • MySpace
  • PDF
  • StumbleUpon
  • Technorati
  • Twitter
  • Yahoo! Buzz
  • Fark
  • FriendFeed
  • LinkedIn
  • MisterWong
  • NewsVine
  • Reddit
  • RSS
  • Blogosphere News
  • Mixx
  • Sphinn

Selling Revolution….

Good evening all, hope things aren’t too bad wherever you’re reading this. Been a weird sort of day but that happens eh? 2 hours until tomorrow so I’ll clash bondsbank on that being a better one. Speaking of one better day I’d hate to be the poor chap who is having to sell this superb collection of Clash Merchandise on ebay. I’m sure he’s heartbroken not being able to keep hold of some of these rarities. To start with you’ve got an original framed Bonds poster in that radiant yellow and some other fine posters. Some rare vinyl, backstage passes and original t-shirts. All are worth a look and then an email to your most successful relative saying what a good boy/girl you’ve been this year and that Christmas is coming soon. I’ve never been a huge collector of memorabilia beyond records and cds and I do get a little green when I see a collection like this. I’ve got a framed photo of Joe  Strummer in my office – it was a cut out from a magazine…how punk is that? (incidentally I’ll have that Brixton poster if you are buying)

Some topics create so much obsession that they start to become a parody as soon as the box is opened up. Here’s one of the biggest of all time when it comes to any discussion of The Clash:  “Punk is dead / not dead / never died”

Why does this always come up? Why does their have to be a definite answer when I’m not even sure what the question is. Yahoo in their poppy wisdom had forded this river and asked the question for the 638th time. Well, let me clarify, they elected not to ask the question but to simply state “punk is dead”. Shit this could be a post all on it’s own couldn’t it? Yes…it will be when I’ve got typing fingers ready to go. Here’s my short opinion:

The punk ‘movement’ of 1976/7 is dead. Yes, soon after record companies were pushing each other over to sign every band with a sneer the movement evolved into something else. Punk music is not dead. What those records (not just 1976-1979) mean to me will never change, there have been a lot of records made in the same spirit of punk in the 30 years since also. It was the Punk ideal that created all the indie labels we took for granted ever since. It was the Punk ideal that led to that amazing post punk period of 1979-1984 where the quality and variety of music was outstanding. Moreover, how can JAMC 300x300 Selling Revolution....you say ‘Punk is Dead’ when you can’t define when it really began. If you were 17 in New York in 1968, the Velvet Underground were punk. If you were 16 in Glasgow in 1984 The Jesus and Mary Chain were punk. If you were 15 in London in 2001 The Libertines were punk. It’s all a question of definition really. Is there music that charges you up and fills you with some fury? Do bands have something more to say than “a boy meets a girl, so what?” (McCarthy - though I’d love to claim that lyric). I considered myself a punk as a kid and I still do. I still don’t subscribe to suburban ideals nor conservative thinking. I still look twice at the kids with the challenging haircut. Did I ever wax on about how bloody brilliant McCarthy were…that’s a long post!!!

I still would rather you told me how you felt about something than be told how to feel. Punks not dead – if you were paying attention it becomes part of who you are. If a new song still excites you – if a social wrong still dismays strummer blueyou – if a hot debate still entices you and if you still like the beat of your own drum, then you were a punk and you remain one. There’s a little pub near me that’s where all the young local punks hang out. They were mostly born between 1987-1993 long after even the ashes of The Clash had cooled, but try telling them they aren’t punk. You can’t change when you were born. The only question is when they hit 30,35,40 do they hold onto most of those ideals? Change is apparently inevitable but in a sense I’m glad I can still relate to who I was at 15. I was angry with Thatcher, with Reagan, with the IRA and The British, I was putting my faith in Strummer and Weller. Later it was Morrissey and David Gedge, then Jarvis Cocker and Damon Albarn. Music has been my constant, I can’t apologize for that now.

On a very related note Bernard Rhodes and I keep exchanging pleasant emails, he’s reluctant to dig into the past and I’m too polite to insist. I would love to have him contribute to the blog – I’d love to hear just what it was like being at the beginning of The Clash and knowing you were key. Maybe tomorrow I’ll know what to ask him….

Share the only blog that matters :
  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • email
  • MySpace
  • PDF
  • StumbleUpon
  • Technorati
  • Twitter
  • Yahoo! Buzz
  • Fark
  • FriendFeed
  • LinkedIn
  • MisterWong
  • NewsVine
  • Reddit
  • RSS
  • Blogosphere News
  • Mixx
  • Sphinn

The Clash Cup Matches 15 & 16, get your votes in!

How to determine the best ever songs by The Clash? A tournament…and we’ve been going over a week now. It’s all random and your votes matter! I’ve got some new results back to see which songs we can say goodbye to.

Match 9 – Kingston Advice over Look Here 27-10

Match 10 - Jimmy Jazz over If Music Could Talk 29-10

No major shocks there as Sandinista! gets one song (from 3) through to the next round of voting. Jimmy Jazz will need to come up against something strong to be knocked out I think. So…more random number generating is in order for the next quartet of Clash songs under review:

I Never Did It vs       The Cool Out

Which Clash Song stays in the Cup? (match 15)

  • The Cool Out (90%, 27 Votes)
  • I Never Did It (10%, 3 Votes)

Total Voters: 30

Loading ... Loading ...

Hitsville UK vs       Long Time Jerk

Which Clash Song stays in the Cup? (match 16)

  • Long Time Jerk (33%, 12 Votes)
  • Hitsville UK (67%, 24 Votes)

Total Voters: 36

Loading ... Loading ...

Again some oddities which is to be expected when we start with so many tracks but fair is fair. The only one there I can (perhaps) see creeping into the final 32 is Hitsville UK, but I only have one vote so prove me wrong (as Joe once sang). I’ve got some links and info that might help your decisions – or not.

I Never Did It – I included this early early track just because something from the summer of ‘76 catalog that never got pressed deserved to be in the mix. It’s a really raw number and shows that even early on Mick was more than capable of some guitar ‘noodling’ there’s actually a nice solo. Can’t help you much with the lyrics, sorry but hear it for yourself by clicking the title.

The Cool Out - Compared with the song above it shows what changes took place in 4 1/2 years, not just to The Clash but to the music industry. This of course was the dance/remix of The Call Up, from 1980-1986 you simply had to remix songs as the 12″ single initially took off via clubs and then became the normal method for  releases. I’ve got far too many ‘dance edits’ of tracks I never needed, but this isn’t one of them as it’s a good remix.

Hitsville UK

Hitsville UK

Hitsville UK – An unlikely choice for a single, Hitsville UK was the first time The Clash felt the wrath of the UK music press. The review “Finally Mick and Joe have gone mad”. I think it’s a great song for being so atypical and includes lyrics that remain applicable to an industry that ate it’s own arms off.

Long Time Jerk - A Super Black Market Clash track with a hybrid rockabilly skiffle with some odd samples. All the same an enjoyable vocal performance by Joe, I can’t see this track progressing in the cup. Surely one of the most ‘heard’ Clash b-sides as it backed ‘Rock The Casbah’

Thanks for your continued voting….Tim


Share the only blog that matters :
  • Digg
  • del.icio.us
  • Facebook
  • Google Bookmarks
  • email
  • MySpace
  • PDF
  • StumbleUpon
  • Technorati
  • Twitter
  • Yahoo! Buzz
  • Fark
  • FriendFeed
  • LinkedIn
  • MisterWong
  • NewsVine
  • Reddit
  • RSS
  • Blogosphere News
  • Mixx
  • Sphinn
Next