Strummerville update grim but let’s rally round the flag

Evening all and here we are again, thrilled to the bottom of my creepers that it is a three day weekend as I wouldn’t be ready for work tomorrow. Fortunately the bloggette is off work also so a beach day is planned, I just need to find a way to include a trip to the record shop to sneak in with that. I have rather bad news tonight and I know pieces of what I write below might annoy some people, that’s fine however as I’m annoyed about it too. We will have different opinions about it, I may have done it differently myself but I’m sad to report that Strummer of Love didn’t do very well in terms of attendance which hurts because the intention was so very good. So not a happy topic tonight but one I feel does need to be addressed in depth. What follows isn’t edited so apologies if you disagree and I know some will.

Let’s break this down into the facts first:

The following message was recently released by Strummerville:

Listen up folks, hope this update finds you all well. We’ve been offline a short while but will soon be getting back into the stride of things. We would like to thank everyone who has supported us during the build up and organisation of the Strummer of Love festival. We want to thank all those who attended, all the bands who played and everyone who worked at the festival you all contributed to what was an amazing experience. And although it was a huge success creatively, socially and musically it has been a drain financially and we are now having to scale back on the charitable activities of Strummerville.

We are at present taking some time to restructure and regroup but we are pleased to say we will still remain active and have some exciting projects coming up. We really do appreciate the support you have all shown us over the years and we look forward continuing our work.

Stummerville

bob gruen joe strummer Strummerville update grim but lets rally round the flag

image the exclusive copyright of Bob Gruen

I wish there were more I could do about tonight’s story but I feared I’d be reading such news and so it turns out. We rightly devoted a great portion of the summer anticipating and hopefully helping to promote the Strummer of Love festival that took place in August in Somerset. I know like many others of us outside the UK we ached that we couldn’t be there and wished it all the success possible. For Strummerville it was always a very ambitious undertaking and as I wrote many times both here, on the facebook page and on the Strummerville facebook page – it was absolutely critical to the sustained activities of the nonprofit. Strummer of Love was the largest single event that Strummerville had overseen and I/we did everything we could to champion it from the moment it was announced so it pains me to read that it had not been well attended. I know many of you made it down and had a brilliant experience.

Now for the opinion piece:

Hosting a new festival is a very risky business, trying to choose the right location, get the promotion and marketing fine tuned, putting together a bill that will appeal across different audience types, pricing it competitively and then hoping that the weather cooperates and that no acts cancel. Feedback from the festival itself was wonderful, those in attendance and performing had a marvelous time. The atmosphere was a unique celebration of the life and inspiration of Joe Strummer and everyone I spoke to really enjoyed the experience.

The location chosen was in an area of outstanding natural beauty in the hills of Somerset and a capacity of 5,000 was set. The site was chosen because it was near to where Joe spent the last years of his life. Would something closer to London or even the northwest have been more successful? I would guess yes.

My concern before and more so after the event was whether enough tickets could be sold to a location so far off the beaten track, I hoped above hope that it could be full but my worst fears were realised when I studied photo after photo of the three day event and then looked at videos. If you’re not in the UK I should explain that domestic travel is very expensive, prohibitively so. Trains aren’t cheap and petrol is about $2.25 per litre / $8.50 a gallon. I don’t have the specific facts but attendance was obviously much lower than expectations. My heart sank when I spent some time with a friend looking at different photos and video and tried to approximate how many had been able to make it down to Strummer of Love.

Since the weeks after the festival I’ve been trying to contact the friends I usually speak with at Strummerville to get the latest news and updates which I routinely share on the blog, at first no reply when normally it’s within 24 hours. Then a little while later I learned that my main contacts is no longer with Strummerville. It seems that the festival which should have secured the long term standing of Strummerville has had the opposite impact. A festival that was such a cultural and musical success sadly didn’t translate to the ticket sales anticipated. The recession, the economy, the location, the price, the lineup…you can apportion blame to each of these factors and perhaps others that I overlooked.

strummerville wall Strummerville update grim but lets rally round the flagI was extremely saddened to read this, not shocked but decidedly upset. What should have been the most celebrated event undertaken by my friends at Strummerville was instead something that had not generated the (economic) results anticipated. Hindsight is always easy to use but it’s tough to see a festival that was such a cultural and musical success and important to me and all Clash fans sadly not translate to sufficient ticket sales.

The economy in the UK and elsewhere remains in a desperate state overall, but even if you can’t financially aid Strummerville you can help to promote the work they do via social media. You can share facebook updates, tweet about them, forward emails or just tell friends. Being positive about the work Strummerville do is a big plus for them, believe me. I don’t have much extra cash to help them either, but I hope that via the blog I give back to them and help the word of Joe continue as a result.

Here is my only real complaint, we might all have ideas about how things could have been done better but the following is what annoys me today. Before the festival I saw far too much negativity directed toward Strummerville about the festival in online forums. Really over the top criticism that entirely missed the fact that the event was crucial for Strummerville, Joe’s charity. I appreciate that there were hard feelings and some negative sentiments from not being able to attend but the cause was key and I think the negative comments overshadowed the event long before it even happened and probably even impacted ticket sales. People weren’t getting rich from this. I appreciate that it was a lot of money, people cited that they had seen The Clash for next to nothing and it wasn’t in the right spirit of the band. I used to go and stand stand at Arsenal for 70p in the 1970′s and now it costs 70 quid. People still attend, it’s a choice that people make. I’m not blaming the attendance issues primarily on the negative comments that I read but I don’t think it helped the ‘undecided’ attendees one small bit.

I even read Billy Bragg debating on facebook for hours that the event was ultimately all about the continued success of Strummerville and that it couldn’t operate at far lower prices. That it was in line with similar events. This from someone who performed for nothing, out of respect for Joe and he had to spend hours explaining how important it was to Strummerville and their secured future. I too found myself before the festival getting into a few debates online with people missing the fact that the festival was of course to remember Joe but ultimately it was to help the charity that holds his name. I understood that it was beyond the means of many people financially, I respect and appreciate that. I couldn’t make it there, I would have loved to but I don’t have the money and being self-employed couldn’t take the time off. I didn’t decide to then criticise the pricing.

Put it this way; I really like Audis, on the other hand driving a brand new Audi is simply beyond my means, I’d love to have one but I’m alright with my Toyota. I don’t campaign actively against all people who can afford an Audi. Audi don’t make a version of the A4 for those with lower incomes.

We choose what we spend our money on and for example far too many spend a small fortune every year on their mobile phone and then piss and moan about the cost of a concert ticket that helps a nonprofit continue the work being done for musicians around the world. I realise my opinion on this might not be too popular but this was a one time festival and priced in accordance with most 3 day festivals.

Strummerville now needs our help more than ever. I hope we, both you and me, can be a positive part of that. It doesn’t always equate to you spending money, spreading awareness has its own currency too. I’ll be trying to do more to get the timing right so that their news is shared here quickly and that we can all do a little extra via social media to get people tuned in. I’m sure lessons will be learned from this and I sincerely hope that they are able to continue the work they do, it does make a huge difference around the world for up and coming musicians. If you don’t check back on their site often just take a look at what Strummerville has achieved rather than focus on what I’m sad to say makes for gloomy reading tonight. I wish all the best to Trish who worked tirelessly at Strummerville to make it succeed and was a great friend to the blog.

Let’s pull together to make sure that the future of the foundation remains strong and the work done in the name of Joe Strummer can continue in earnest. I’ve said before on the blog that Strummerville has come to be symbolic of Joe for many of us, when we write and talk about Paul, Mick, Topper or Terry –  that huge gap where we still want Joe is partially filled by the work done in his name. I’m pretty certain that Joe would approve of that work being done and seeing more bands get a foot in the door.

Opinions and thoughts are welcome, but let’s look forward eh?

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12 Responses to “Strummerville update grim but let’s rally round the flag”

  1. Mark Bedford says:

    It's sad to hear Strummer of Love wasn't a greater success – my mate (Chris Ridge) was roadie for the Pogues and told me the numbers were lowere than expected. However the reports I got from him and others such as George Binette was that, for those who made the effort, the festival was wonderful. Chris brought me back a programme that was lovingly produced – and I'm sure ememplifies the spirit of the whole event.

    The event I've been organising for the past 9 months to commemorate Joe's last London gig (the Acton FBU benefit) is also some way from selling out. We've sold enough tickets to break even on the production and, hopefully, to get a tee shirt done. I want to give an assurance that we will raise as much cash from Strummerville as we can – from tee shirt sales, raffle and pretty much all future ticket sales! So, if people are umming and erring about getting down to London, W11 on Friday 16th November maybe that knowledge will nudge you into action! Please join us to remember Joe in 5 weeks time.

    • Tim at The Clash Blo says:

      Thanks for that Mark. That matches all that I've heard and that people had a terrific time. I hope it isn't too large of a setback for Strummerville.

      I've added Arms Aloft to the calendar on the right ===>>>

      I know I owe you an email so we can put together a preview in full, should be late this week if work goes well. Then we'll do another reminder just prior. Wish I could be there on the night.

      Best,
      Tim

  2. Mark Bedford says:

    Previous post should read 'we will raise as much cash FOR Strummerville as we can'!

  3. James Tucker says:

    I don't think that the problem was location, it was mainly down to ticket prices and timing. The earlybird prices were £101 and they then went up to £175 which is definitely not in line with similar events.

    Beautiful Days an established festival organised by the Levellers was on the same weekend, only about thirty miles away featuring many of the same bands and similar demographic of festival goers sold out 10,000+ tickets at about £125.

    Boomtown another established festival the weekend before also sold out 10,000+ tickets at a similar price to Beautiful Days.

    I truely believe that if the tickets had gone from £101 to something like £120 then they would have got at least double the amount of people. (Whether that would have still made a loss i'm not an economics expert, so I don't know).

    I know that it is a totaly different animal, but the ticket prices where just £30.00 less than Glastonbury just up the road which sold out 175,000 tickets in one hour forty minutes yesterday.

    On the plus side it was one of the best weekends I can remember, everyone was there for the right reasons, the atmosphere of being at a very special event was always in the air, Justice Tonight Band were superb and The Campfire was one of the most sociable and friendly environments I have ever experienced.

    Mistakes may have been made, but the positivity and energy of the organisers, the bands, the workers and the festival goers at the event was truely inspiring.

    • Tim at The Clash Blo says:

      Thanks for your comments James. Perhaps 'competing' with Beautiful Days which has now been around for nine years really impacted things? As you mentioned the earlybird prices were both a very nice touch (and popular) but also might have created a sense of unfairness about the resultant price on remaining tickets.

      Playing devil's advocate, none of the other festivals are funding a charity as their main 'reason to be'.

      I could be completely wrong about the location being an issue, if I were still in London it would definitely have been an expensive consideration and even more so for the thousands of potential attendees who live in the North.

      I'm glad you enjoyed it though, it is a shame that it has had the negative result (fiscally)

  4. James T says:

    Thanks for your response Tim.

    I take on board the fact that we were there to support a charity, however i still think that the price was a big misjudgement, maybe it was a case of the organisers being too close to their own charity and assuming that everyone else was as committed to the cause as they were.

    However on the positive side the fact that it was for a good cause and also celebrating Joe Strummer, that really came through from everyone who was at Strummer of Love. There seemed to be a common thread running through everyone who I spoke to that in their own way they wanted to make a difference, even if it was only to 'stand up and be counted'

    I agree that it is a great shame that it has had a negative financial impact on Strummerville, but from someone who at the ripe old age 53 isn't very often suprised by peoples different attitudes I truely believe from what I experienced over those few days from everyone there that they will bounce back even stronger in the future.

  5. Wonky Drummer says:

    I am absolutely gutted to hear this Tim.

    I know it's kind of naive, but I was hoping that Damien Hirst may've underwritten the festival, as he's one of Strummerville's trustees because I could feel at the festival they were going to be lucky to raise much money. However, I totally understand that it just doesn't work like that and that Strummerville has to function as a financial going concern, and stand on it's own two feet. I work for a small charity myself which mploys 9 people and the annual struggle to break even is a familiar one for us. We've all been on a pay freeze for two years.

    I don't think location was the problem for Strummer of Love. I think "Beautiful Daze" shows this, and also that people traveled from across the UK to attend.

    I do think the price was a mis-calculation and it was hard for people to afford it. I had to nag my two mates a lot to get them to everntually commit. The festival traded heavily on the fact that it was small, bespoke and a one off. I think that these factors (and also that it was a benefit) probably encouraged the organisers to give it a price that they knew was on the high side.

    I got chatting to one of the traders who worked at lots of festivals, and he said that at only 5000 capcity with that line-up and attention to detail (like the imaginatively designed programme) – he felt it should've sold out easily. He estimated that attendance was at about half capacity, he was pretty experienced, so he was probably right.

    Me and my mates had a great weekend we'll always remember; we met some lovely people, the campfire scene was particularly fantastic.

    To hear that the festival has done financial damage to Strummerville has really brought me down. I know they'll re-group and keep going, but what a sad end for the best of intentions.

    There was a special atmosphere at Strummer of Love, and the memory of that continues to galvanise me and motivates me to put back into Strummerville however I can.

  6. Clash'o' P says:

    come to StrummerJam at Stone Pony (Dec 22, 2012) to honor and celebrate Joe on the 10th anniversary of his death…and to raise money for Strummerville!!!

  7. come to StrummerJam at Stone Pony (Dec 22, 2012) to honor and celebrate Joe on the 10th anniversary of his death…and to raise money for Strummerville!!!

  8. Shan Spyker via Face says:

    Just now reading this and I too am saddened to hear this. Yes support!! And I agree with you there are many ways to support. Ill do my best to keep spreading the word…

  9. Interesting article. It does raise a few questions though. If Strummer of Love has lost money, from which pot has it lost this money? 15% running costs, 55% support for new music, or 30% support for projects? I would suggest that Strummer of Love does not fall into any of these categories and thus I would question why charitable donations were used to pay for artists who do not represent "new music". Of course, the only way to clarify the situation regarding the festival would be to publish the accounts. I notice mention of another festival called Strummercamp which is run as "not for profit". This festival too should publish accounts as I can't understand the definition of "not for profit" when bills have to be paid and tickets sold. I am a Clash fan, but transparency please!!!

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