Good day to you wherever you may be, sorry I didn’t have time to get a post together yesterday as work was rather busy but I did spend some time thinking about the blog if that is any help. Technology being what it is I’m patiently waiting for the Microsoft update where my thoughts just automatically transfer to the blog and you’re all set with a new article to read. Odd are that would be an Apple product though eh so I’m out of luck? I’ve been thinking about new things to try with the blog – regular features and such, plus for budding Clash journalists a structure to get your stories, recollections and opinions posted on the blog also. My thinking is this is a community for fans and the more we share and post the larger that audience then becomes. I’ll find a way to balance output and available time and look for the blog to become more active in the months ahead.

Speaking of active – that’s a very appropriate word for the lovely people over at Strummerville and while (I hope) many of you already receive their newsletter if you don’t there is rather a lot going on which I’ll summarise and link below and you can pay them a visit to learn more. So in to particular order here’s whats new:
The Don Letts movie about Strummerville has been previewed and by all accounts it’s going to be something else. It will be premiered at the SXSW music festival in March. If you can get to Austin Texas then you really should. I’m hoping to go myself but I need to juggle a lot to make that happen (more about that in the next week or so). Also at the Festival there will be the ramping up of the Jail Guitar Doors project North American style, which looks exciting as Billy Bragg is heading the charge. Back in Britain don’t forget the Shatter the Hotel album launch event is this Friday at Inn on the Green. Other news about the Strummer music rehearsal space in Somerset, and lots more. Check out the Strummerville site for additional information on all of these items….oh yes – and do some shopping!

I’ll be back later today if I can. Don’t forget to join our facebook page – it’s an easy way to track me down, make suggestions and chatter with the other people who support the blog – we just reached 200 ‘fans’ today. We’ll form our own republic soon….

Hello all – hope you had a chance to look at the video on yesterday’s post – very cool and equally strange to see Paul Simonon and Mick Jones playing and recording together in 2010. I wish I were a fly on the wall when they went for a pint as reported afterward, as it must have been equally strange for them. Mick has (from my vantage point) made a huge transition in the last decade in terms of now working on a variety of projects in different roles. It seemed to stem from his work with The Libertines as a producer at the start of the decade just ended and then evolved onto his work with Tony James / Carbon Silicon. More recently he has partnered up with other for benefit concerts and taken an active role in Strummerville related projects as well. Coupled with that is the music media and the press in general now see members of The Clash as elder statesman with a lot to offer and stories to tell….its all a million miles from where Mick was in the mid-late 90′s after Big Audio Dynamite came to an end. Throw in the Rock and Roll Library and it’s just a thrill that he has been so public and giving in raw terms.

As a fan I’m thrilled that his influence is both more widely recognised but also more widely felt – it’s more than overdue for him along with Topper and Paul. I don’t want this to lead to simple speculation as to why things have ebbed and flowed but I am pleased that the pendulum of higher regard has swung in the right direction for The Clash. Still crossing my fingers that someone with the creative passion and the finances/studio backing tackles the gaping hole where a proper Clash film needs to be made. I genuinely feel that the surviving members would give the right project the support it merits, until such time I’ll just hope it can happen.

Mojo had an interesting piece today about Bernie Rhodes in a list of ‘The Worst Rock n Roll Management Decisions in History”. For his involvement with The Clash Bernard ranks 5th on their list for the issues that tainted the last year or so of the band’s (proper) existence and of course the Clash MK II. From what I know and have researched the complexity of the last months of the band are as tangled as they are multi-layered, apportioning blame to only one individual I think is akin to saying that The Clash made a definitive album. The implosion of the band was just not as simple as that and to this day a proper and frank account has never been put forward by all parties concerned, while in this case of Joe indeed it is already too late. For my money I think Rhodes’ story does need to be told if only to display the critical piece he played in the formation and original path that the band took.

Over the years it has been easy and quick to blame the end of The Clash on Mick and Bernard/Joe and the revamped band seen as a revolting blot on the copybook created by the ego of a manager who wanted to be the band, but is that entirely fair or accurate? I’m not sure to this day and unless more information is provided it has become accepted wisdom – folklore if you will. I’ve offered the ClashBlog as a forum to Bernard Rhodes a few times during 2009 and while we’ve never agreed on a format for the discussion I think it only fair to remark that he has been polite and considerate with his responses to me. In truth I’d most like to discuss the early years of The Clash with him and not those that are trotted out to his detriment concerning the later stages of the band.  Mr. Rhodes has edged towards talking about today and the future which I respect – at some point perhaps he’ll engage with the blog as I think we have a great audience and community that is open to hearing recollections and ideas, thoughts and concerns, even if (especially if) they go against the accepted truth we’ve been fed all these years. Anyway….that rambled on longer than I intended but the offer is still on the table Bernard. Back to Mojo – 1. Credit the blog for the photo of Mr Rhodes please (but thanks for finding us) 2. They think it was as simple as this “Like the USSR, Bernie has been left behind by history” I beg to differ.

That’ll be me done for the day then…cheers

As promised…the Clash Cup is back, sadly I can’t same for Arsenal as we were dismantled by a Manchester United team who were far more efficient with their attacks and aided by some extremely naive defending by my club. It cast a shadow over the entire day and was only remedied when I dragged my 42 year old legs down to the park this afternoon to play some football myself. Ah well…you’re not here to learn of my malaise but to get back into The Clash Cup – our own unofficial quest to determine the best 16,8 and finally top 4 Clash songs of all time. I dusted off my spreadsheet this afternoon and learned we have one final Round One match to make our votes heard on and then this week we’ll dive into round two. The songs that remain in round two are for the most part all exceptionally good so the voting will be frantic and important.

A brief explanation if you’re new to the blog – we originally listed all know Clash songs and then took a few weeks to ‘seed’ 16 of the best Clash songs. The remaining songs (142 of them) all went into the bucket and a random number generator selected songs to be paired off and voted for. The online poll allows one vote per user and we closed the polls typically 72 hours after the posting went live. The response was great and not everyone could be happy with every result (myself included) but with one vote remaining we are now just about ready to move onto Round 2. First though that final battle -

Protex Blue versus The Magnificent Dance

Two well known tracks on the final slate so please give careful consideration. I’ll close the polls on Wednesday and plan to start Round 2 on Weds or Thursday of this week.

Protex Blue - I believe this is one of the very oldest existing songs that The Clash recorded, the original version dating back to 1975 when Mick Jones wrote it during his brief spell as London SS. Musically its one of the most raw of Clash recordings and a basic chord progression and bridge it has a real garage sound feel. Even the subject matter is a bit fifth form (condoms) but it remains a fun song. Who would have guessed that 35 years later Mick and Tony James would be a band once more writing and recording as Carbon Silicon.

The Magnificent Dance – 12″ records were as much a part of the early 1980′s as being impacted by the cold hand of Margaret Thatcher. The 12″ single evolved for the disco scene initially and became a place for bonus B sides, alternate versions, instrumental versions and the ‘remix’. I’ve always loved this remix of The Mag 7 – probably because my early excellent efforts to make mix tapes always ended with a version of this track faded out at the perfect length to finish side one of my TDK AD 90. If you’re less than 30 years old you probably wonder just what I’m on about.

Sorry, there are no polls available at the moment.

Get voting and thanks!