Only me again with the latest installment of the Clash Blog. I’m not impressed today as the temperature is back over 110f just when I thought the worst of the summer was gone, if you’re sitting somewhere and complaining about it being in the 60’s outside I don’t want to hear it. Make sure you check back with the blog over the weekend as I should have approval for some very cool images from a recent art exhibition for you. This afternoon back like a zombie it’s time for The Clash Cup, I know it’s been dormant for a few weeks but all of the events surrounding Joe Strummer’s Birthday including reviews and previews took out much of the blog during the latter part of August.

So will it be this B-Side...

The Clash Cup if you’re new to the blog is a very simple and democratic process allows you to select your favorite Clash song by way of voting on the blog. We are now in round two and looking to whittle down the best Clash songs ever until we reach a final 16, then eight and so on. Each of the pairings is set 100% at random so you take what you get even with the decision isn’t always easy. Before tonight’s pairing we do have to review the voting for the most recent installment of the cup which was earlier in August. Decent voter turnout for the last matchup but I would suggest the more likely song still won out:

This is Radio Clash defeated Ghetto Defendant 28-18

Closer than I expected but I don’t think enough runner-up votes to allow the Combat Rock track to make it through to the next round, which to be fair is probably how it should be. As I said this is most likely the last round where the voting will often be fairly easy, so let’s have a look at the next pair:

Round 2 Match 10

City of the Dead versus  Justice Tonight/Kick It Over

Well that’s a turn up for the books as neither song would make the most obvious list of Clash songs which is not to say either song is poor by any means. In fact both songs are quite unique in terms of sound and come from that spell of hyperactivity that The Clash were guilty of from ‘77 until ‘79. The other thought I had almost immediately is how do you separate the two and choose a winner? I know which one I prefer (just) but I won’t share it so as not to influence your voting… as if. Also by sheer coincidence both tracks appeared on Super Black Market Clash which I think is another novelty in this pairing. The extended version of the album is sometimes just the perfect tonic for a good Clash fix perhaps especially because it featured many songs you don’t hear quite as often. Battle of the B-sides!!

Form book:

Round 1 – City of the Dead defeated Freedom Train           98% of the vote
Round 1 – Justice Tonight defeated Junco Partner             73% of the vote

Odds:

I am not quite sure what you can take from the first round, both for convincing wins although Justice Tonight had to overcome a trickier challenge from Junco Partner which was tough because I love both songs. If I had to predict a winner I think it might just be City of the Dead because it is an original track and not a dub/remix. Though I do think the voting will be close.

Stuff:

...this B-Side?

Not many tracks by the Clash have dated that badly at all, although I do think City of the Dead is one of the rare exceptions where the production just sounds a little muddy and the song could only be from the mid-late 70s. Worth remembering a song this good was originally just a B-Side to the stellar Complete Control. Justice Tonight of course was B- side to another of the most famous Clash singles London Calling so for yet another reason this pairing has fantastic symmetry. You don’t need me to tell you it’s also the dub version of Armagideon Time, a song that I will go on record and proclaim as my very favourite Clash cover version and high on my list of all Clash songs.

As for the voting the polls open immediately and you will have until next Tuesday morning to cast your vote for which song remains in the competition. Before you vote it’s always good to have one last chance to compare the songs side-by-side so if you’d like to just click the links that I provide. For City of the Dead let’s substitute the live version so we don’t focus on the production of the original. I do think some of Joe’s lyrics on the track are superb. Your last task is to reserve 8:54 of your life to just mellow out to Justice Tonight / Kick It Over and make sure you turn up the bass first of all.

Enjoy voting and thank you – this is actually rather an interesting pairing.

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Hello once more Clash fans and others, cheers for dropping in. I’ve got quite a few odds and sods to get to so lets just leap right in shall we? There are some official breaking things surrounding Sandinista!

Uncut Magazine features The Clash – If you’re in the UK you already know about this (and thanks for your emails) – the new edition of Uncut has an in-depth interview with Mick, Paul and Topper about the making of Sandinista! thus I find it quite funny that the cover promises ‘the untold story’ of the making of the album, as opposed to what exactly? 1980 was such a hectic year in Clash history that the making of the 4th Clash album has never been reviewed properly by the band with most commentary to date referring to the fact that it had too many songs / would have been better as a single or double album etc. I wouldn’t change a thing as it happens, its perhaps the album that I’ve grown up with and returned to more in the last decade than the others. Incidentally the bonus CD with the latest issue features fifteen tracks that Joe featured during his London Calling BBC broadcasts, my favourite of which is this by Cornershop and I think the lyrics sound like something Strummer himself might have written.

Leave Chattanooga
Walk in to New York City
Aeroplane down to Nippon ground
Meets some friends in Tokio-town
Across to West Maluva
Showboat to West Malay
Leave my foes to their woes
Sometimes “that’s how it goes”
It’s good to be on the road back home again

Speaking of Sandinista! its as good as official that a special 30th anniversary edition of the album will be released this year with requisite bonus tracks and some demos and remixes (plus I would expect remastering of some sort). I had to purchase another copy of the double CD recently to replace my worn out CDs just a few years ago so in addition to the vinyl and cassettes it looks like a 5th version will he heading to the household in time for Christmas. I think we’ll make the month the reissue comes out Sandinista! month on the blog. I’d love for the reissue to feature a live concert from late ‘80 or early ‘81 but I haven’t read anything that indicates this might be the case (grumpy return to my keyboard).

Returning to Uncut (I’m not in the UK so please don’t spoil my anticipation in reading the article when I get an imported copy in a week or two!) I hope the interview addresses the oft-circulated rumour that the album was essentially the work of Topper and Mick with session musicians and a well known Blockhead taking up much of the remaining slack during the recording process. I don’t buy that suggestion and I never really have and while its likely that the group cohesion during the recording of London Calling was no longer in full evidence as it had been in the summer of 1979 I don’t think the triple album was Mick Jones and Topper simply working with hired hands for the most part. Yes there were guest musicians but it is certainly a Clash album as a finished product. Others have said the evidence is that live versions of songs from this era bare little resemblance to the studio equivalents but once more I think that is the sound of a band expanding their limits and looking to break the confines of simply recreating a song in a live setting. Naturally I could be 100% wrong on both my assumptions so I’d be happy to hear what you think. Don’t however spill the beans on the magazine interview just yet – I’ll cover that when I get my copy!

Worth a mention and a link to a story is the fact that this summer did mark the 31st anniversary of the Sandinista uprising in Nicaragua which The Clash brought to a new audience. On July 21 1979 the first events associated with the uprising took place which eventually led to the overthrow of the existing dictatorship. This revolution this was one of the youngest and most independent rebel situations in recent history as most of the key people involved were little more than teens who didn’t have a plan B so much as they knew plan A had to be evicted. As you can predict the story didn’t end in ecstasy but it did mark a significant positive change in the history of that central American republic.

What else….today is September 1st – the least glorious day in Clash history as it marks the date in 1983 when the official word of Mick Jones being sacked from his own band was made public. Apparently so Paul and Joe could get The Clash back on track towards the original goals of the band…we know how that ended. I’ve written about that at length in the past and will do again I’m sure but its burned on my calendar as the darkest day during the time the band were a going concern. With that said let’s talk again September 2nd yes? Thanks for dropping in…

Let’s end on a happier note – check out this chap’s memory of meeting Joe Strummer many years ago.

Hello again, nice to get back in the rhythm of blogging once more, I actually missed it this weekend. I’ve got to put that CLASH77 license plate on the car soon…it’s sitting on my Clash shelf at present just apparently there to make me smile it would seem. I’ve a few headlines for you which I’ll get to but first I wanted to say thanks for all your growing support for the blog – August has been the busiest month of the year for the blog and its great to see so many return visits so I appreciate that. In the next week or so I’m excited to say we will be welcoming our 200,000th visitor ever to the blog and this week will see our 100,000th visit of the year – so cheers to you all on helping reach both landmarks! September will also see the introduction of our monthly interview series – so keep your eyes open on that.

So the last few days…..Don Letts usually manages to get flagged down around the time of the Notting Hill Carnival and this year was no exception. It was Letts of course who features on the striking cover of Black Market Clash as a then 20 year first generation proud young black man walking the tightrope of tension that was the riots of the summer of ‘76. I can’t say enough about Don Letts, he’s just such a likable character and always looks to be moving the tide forward and celebrating the unique period of time where he grew up and helped reggae and punk reach to cross sections within both camps. In addition he always shows pride and optimism which are so often lacking in some quarters. Anyway, getting back on track I’ll point you in the direction of both recent interviews with Letts as he sat down and spoke to the Telegraph and SKY TV in recent days.

Over at the Telegraph check out the feature on Don as he talks about his heritage, racial integration and his part in what was to be the forming of a soundtrack for mid/late 70’s Britain. Letts was always it seemed in the right place at the right time, or was that part of who he was? Hanging out with Malcolm McLaren and the various incarnations of his shop on the Kings Road, becoming the resident DJ at London’s first punk club The Roxy, befriending The Clash and later even Bob Marley. Then to follow that up as a member of Big Audio Dynamite and an accomplished filmmaker. As Letts himself explains he had an early taste for the counter culture from McLaren and it seems his thirst has never left him in the decades since. As for the music – he knows how vital it was to his peers:

As first generation British born blacks, we copped it the worst. But we came up with a good soundtrack. Tell you what!  They’d better come up with a good soundtrack, these eastern Europeans – that’ll help ‘em!”

Letts shares a sentiment that many of you reading this of a certain age probably reflect on all too frequently, with the current social upheaval globally and lack of equality its remarkable that music/culture seems so passive…so pedestrian when surely the need for a real change resonates as loudly as ever. Letts puts it in better terms than I can:

“Right now it feels like punk never happened. All the things that helped create punk rock, racism, recession, strikes – other than power cuts – all the things we had in the late seventies are happening again today. What’s happening about it? I don’t know. All I know is that all the interesting ideas are coming from the amateur and the naive, and it’s increasingly difficult to find anyone who meets those criteria in the west”

He’s right….and I don’t even know why apathy is suddenly the most popular flavour for much of the generation who should really be tearing down the walls instead of watching the bloody television and youtube. Don is doing the rounds partly because he certainly should but also because two of his more recent projects are getting released to UK cable television and a special film fest at the ICA respectively. More of that in a minute but  the Blighty channel  also premiered at the weekend the Don Letts film Carnival (Notting Hill Documentary from 2009) and interviewed him in conjuction with that event. Well worth a read and a good taster for the film also, full information via this link.

As a reminder – the Don Letts documentary about his life will be getting its UK premier at the ICA (talk about a historic venue!)  ‘Superstonic Sound, The Rebel Dread’, shows at the ICA on 6th, 9th and 10th October. Ticket information and to purchase via this link.

Superstonic Sound: The Rebel Dread plus Q&A (Don Letts will appear at the Oct 6 Screening)